带着装满物资的末世仓库，我穿越到缺衣少食的六零年代。面对吸血的极品家人，我开局果断断亲分家，凭借仓库爆囤的万吨粮食、肉蛋果蔬，过上锦衣玉食的生活。看着前家人因贪婪和懒惰饿到两眼发绿、悔不当初，我毫不心软。利用仓库资源开荒种地、发展副业，不仅自己富得流油，还带动邻里过上好日子，最终在六零年代活成人人羡慕的人生赢家，让极品全家只能望尘莫及！

带着装满物资的末世仓库，我穿越到缺衣少食的六零年代。面对吸血的极品家人，我开局果断断亲分家，凭借仓库爆囤的万吨粮食、肉蛋果蔬，过上锦衣玉食的生活。看着前家人因贪婪和懒惰饿到两眼发绿、悔不当初，我毫不心软。利用仓库资源开荒种地、发展副业，不仅自己富得流油，还带动邻里过上好日子，最终在六零年代活成人人羡慕的人生赢家，让极品全家只能望尘莫及！

带着装满物资的末世仓库，我穿越到缺衣少食的六零年代。面对吸血的极品家人，我开局果断断亲分家，凭借仓库爆囤的万吨粮食、肉蛋果蔬，过上锦衣玉食的生活。看着前家人因贪婪和懒惰饿到两眼发绿、悔不当初，我毫不心软。利用仓库资源开荒种地、发展副业，不仅自己富得流油，还带动邻里过上好日子，最终在六零年代活成人人羡慕的人生赢家，让极品全家只能望尘莫及！

香港警察顧玲玲為調查好友楊美華的死因，遠赴日本與作家李三郎會面，詢問美華有無遺留下重要物品，但卻未有所悉。不久，日本外事邢警木下與倆人接洽合作，情求協助調查一起私毒品案件，並從刑警口中得知楊美華妹妹楊美鳳的下落。 　　為此，倆人結伴去楊美華生前工作的夜總會，進行實地查訪，更希望能見到楊美鳳……

香港警察顧玲玲為調查好友楊美華的死因，遠赴日本與作家李三郎會面，詢問美華有無遺留下重要物品，但卻未有所悉。不久，日本外事邢警木下與倆人接洽合作，情求協助調查一起私毒品案件，並從刑警口中得知楊美華妹妹楊美鳳的下落。 　　為此，倆人結伴去楊美華生前工作的夜總會，進行實地查訪，更希望能見到楊美鳳……

戒嚴前夕的台灣，曾出現一系列「女性復仇」電影，形塑受害女性角色，再由極殘忍的復仇結局收尾。延續著近年對身體政治課題的關注，蘇匯宇再次以肉身探討權力，以女性電影為想像基礎，重新創造了一個平行宇宙的女性復仇。

A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her husband died penniless following an industrial accident. The prosecutor is Hiroko's sister's husband Kono, who also sent Hiroko's fiance, Yamaoka, to jail for his liberal views during the war. Yamaoka has just been freed, but is seriously ill from his time in prison.

戒嚴前夕的台灣，曾出現一系列「女性復仇」電影，形塑受害女性角色，再由極殘忍的復仇結局收尾。延續著近年對身體政治課題的關注，蘇匯宇再次以肉身探討權力，以女性電影為想像基礎，重新創造了一個平行宇宙的女性復仇。

A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her husband died penniless following an industrial accident. The prosecutor is Hiroko's sister's husband Kono, who also sent Hiroko's fiance, Yamaoka, to jail for his liberal views during the war. Yamaoka has just been freed, but is seriously ill from his time in prison.